Wednesday, July 22, 2015

Play Day (with Dyes)

I am still in dealing with the aftermath of my move mode, but I took a break yesterday for a Shibori play date with the guild's Surface Design mini-group.  I haven't yet washed out all of my pieces–I dyed cotton fat quarters, silk scarves and a straw capeline (which will become a hat soon)–but, here is the first.

Arashi ShiboriWhat do you see in this arashi shibori? 

Common answers of the day were petals, yucca plant, dragon or alien skeleton.

There is a nice tutorial for shibori here:

Shibori-DIY

For our workshop, we used an indigo-colored procion dye.

This (and getting settled into the new place) is my work-in-progress this week. Like Lee, there will also be painting.

My sewing space is still unpacked (and I still cannot find the box with the sewing essentials like scissors and needles in it).  Right now, the cats are spending more time there than I am.

And the design wall is still just a piece of insulation ...

DSCN9519

They are checking out the neighbors. Isn't he a beauty? 


DSCN9520   DSCN9514

Thursday, July 16, 2015

Butterflies and Birds and Bunnies ... Oh My!

The latest round of Julie's Cotton Robin has concluded and all has been revealed. I had so much fun this year working on–and being challenged by–this round of little quilts and was delighted by the quilt that came back to me.


For those unfamiliar with the Cotton Robin, here are the basics:
  1. Make a center that is no larger than 9 inches square (or a comparable-sized shape) and mail it to Julie.  Optionally you may include additional fabrics (totally up to a quarter yard) and/or instructions.  This year, Julie asked us to challenge ourselves in some way. Once the package goes to Julie, things become pretty much anonymous. 
  2. Receive a package from Julie which contains a center and mailing info for this and all future rounds.  Add a border and send it on to the next person. 
  3. Receive a package with a center with one border and add the second (last) border. The quilts should be no larger than 20 inches square (or something comparable if it isn't square). Send it to the next person. 
  4. Receive a finished quilt top, add backing and batting, quilt and bind it. Mail the finished quilt home.  
Here are some of my in-progress photos and notes of the four Cotton Robin quilts I contributed to this year, along with a photo of the finished quilts, one for each of the steps above.   It's a longish and photo-heavy post, so if you want to just cut to the chase and see ALL the finished Cotton Robin quilts, scroll up and follow the link at the top of this post. 

My Center 


My Center
The challenge I set for myself was to create a soft, low-volume quilt. I pieced a scrappy center from 64 one inch (finished size) low-volume squares and added a machine appliqué cat silhouette. The cat is from a book by Carol Armstrong–if you have been around long enough, you might recognize that I've used it before in a doll quilt I made in for a swap–click over to see Ela and her Doll Quilt ... and those in the Block Lotto may see this cat again in a block for this month–it's a quilter's choice month with the theme of pets. 

I didn't include a note with my Cotton Robin package, but hoped that the center and the fabrics included conveyed my intention.

I included two fabrics–one which was used (the green background in the second round) and one that was returned to me with my quilt.  

Round One 



Center with Directions - Keep in Monochromatic and SmallI confess that when I received this package, with the note, Keeping this piece monochromatic and small, I wondered about the person who was really challenging themselves (and us) to make a monochromatic yellow quilt.

The center was 5 inches square (to finish at 4 1/2 inches).

My first inclination was to turn the square into a circle and make it the center of a sun (aka New York Beauty block). But then I realized that was exactly what I did for the first round last year and left it alone.

1st Border AddedI looked in my stash for a pair of yellow/gold fabrics that matched the two in the center and had as much contrast as possible and made a round of 1 1/2 inch half-square triangles.  The quilt was now 6 inches (finished size).


Maybe I pushed a little too far into golden brown territory.  I don't know.  Here's how Mary Jane's finished quilt came out:





Round Two


Second quilt arrivesSometimes, you receive a package and an idea immediately takes hold.  You can't shake it even if you aren't sure you have the skill set necessary to achieve it ... but when a quilt is actually asking you, "what if ..." I think you have to go for it and so I did.

My vision was that the center was a thought bubble and someone was thinking and asking themselves that question. I googled for images of a "cartoon thinker" ... and Google returned many images of MEN!  (bad, sexist Google). I tried again with "woman thinking" and found some candidates including a cartoon woman sitting in front of a computer.  I saved her, cropped her, resized her (multiple times) and started playing with the idea on my design wall.

I found a fat quarter of hand-dyed fabric in my stash that was a good match for the fabrics used in the first round and used it to define the dimensions of my round. 

First idea for Quilt #2 Playing with placement and proportion

At the guild retreat last winter, someone had some bright green that I knew would be a match for the background of the center and I asked for a bit of it so I could continue it into the last round.   I also continued the look of the improvisationally pieced second round, added a couple more arrow blocks, procrastinated a lot and then faced the cartoon lady thinker.

I didn't have a clue whose quilt this was, but at some point I thought it might be Glen's–a woman with very red hair ... I sent her a cryptic email to confirm or eliminate the possibility that maybe my thinker should be a red head, found it wasn't her and continued on.  I built the fused, raw-edge appliqué in layers–skin, eyes, hair, clothing, jewelry–then attached it to the pieced background.

Building the appliqué Cartoon Woman ThinkerI decided that I would use an open zig-zag stitch for the black lines in the cartoon ... and hoped that whomever was the owner of this quilt would see it as in the cartoonish style I intended and wouldn't disapprove of the messy look.

The rest of the raw edges were stitched with matching thread.

Since a lot of this was new territory for me, I started stitching, knowing that it could all go terribly wrong and I'd be starting over.

I sent the finished top onto Helen, with my apologies.  This was her first experience of the Cotton Robin; I knew she was a little worried about the quilting/finishing round and I was sending her this challenge to finish.  She did a great job.  Here is the finished quilt, being held by her son.


It's probably a good idea that I didn't know this quilt was Cathy's until Helen posted that she had mailed it to her ... I would have been totally intimidated knowing I was was trying something foreign and new-to-me on a quilt for a quilter that is so accomplished and productive.  I guess it's true, sometimes ignorance is bliss.

Finishing a Quilt


Speaking of intimidation ... the quilt I received to finish was going home to our fearless leader in the Cotton Robin, Julie.  Julie has done a such a great job of organizing us for four years–I wanted to finish a perfectly beautiful quilt for her.  I loved everything about the quilt that Julie, Diane and Shannon had made except for one thing ... I was never quite sure which way was up. Since I couldn't decide on a logical "top," I didn't sew on the hanging sleeve and left it for Julie to decide.

Finished Quilt 4 - 2015 Cotton Robin

I quilted spirals in the spiral, a checkerboard in the checkerboard, triangle shapes in the triangles and a leafy vine outlining the leafy vine print in the borders. I repeated these shapes in some of the plain strips and rectangles and added some straight lines, pebbling and feathers.  I used 2 purple threads, one lighter and one darker, but it's really hard to tell in the finished quilt.

Quilting Detail from Last Cotton Robin Quilt.

I couldn't decide if the binding should be purple or turquoise, then found a hand-dyed fabric that had both colors.

Ready to Bind It's not perfect, but it was so much fun. I hope Julie, Cathy and Mary Jane (and everyone else who participated in the Cotton Robin this year) love their quilts as much as I love mine. As soon as I get the bedroom that will become my home office unpacked and situated, I plan to hang the last two Cotton Robin quilts on the wall there so I can appreciate them every day.

For more of the in-progress photos of these four quilts, this link will take you to my photos on Flickr.

If you've read this far and want to see the rest of the quilts from the Cotton Robin, here's the link to The Big Reveal.

It wasn't until the big reveal that I found out my quilt was made by me, Terri, Rachel and Jay. Thank you all for making me an amazing little quilt.

I'm celebrating these finishes, finally revealed, at: 

Richard and Tanya's Link a Finish Friday
Can I Get a Whoop Whoop? on Confessions of a Fabric Addict
Nina-Marie's Design Wall Friday
Fabric Frenzy Friday
QuiltShopGal's Creative Goodness Linky Party

Monday, July 06, 2015

Feather Pillows - A Lovely Goal for July

Last year, when I made this quilt . . .

Sophie's Feather Bed

I made four extra feather blocks with the intent to make pillow covers. 

My goal for July is to, first find them in the aftermath of my move, and then turn them into pillows. 

I have moved into another "previously owned by an artist" house, this one with wall colors in soft shades of peach, lavender, cream and pale olive. I think this quilt will look great on my bed, a room that is painted peach with olive trim. 

I'm joining the goal-setting party for July (and hoping for a better result for me than the past few months). 

Wednesday, July 01, 2015

The rest of the quilts ...

June is over, but if you're looking for more quilt eye candy from the Fiber Arts Fiesta that took place in Albuquerque in May, there are plenty more of my photos in my album on Flickr - click and enjoy.

Fiber Arts Fiesta 2015

And because I think all blog posts should have at least one image ... this is We're Not in Kansas Anymore by Norma Koelm, Judge's choice in the medium art quilt category.


We're Not in Kansas Anymore by Norma Koelm

Tuesday, June 30, 2015

The Month (and the Quilt Show) That Was

When I started this idea of a daily post each day in June with quilts from Fiber Arts Fiesta, I wondered if I there were enough of the quilts I loved to share all month long ... it turns out I ran out of month before I ran out of quilt favorites.

Judith Roderick is a silk painter who makes fantastic silk quilts (with lots of buttons!). This is her quilt, Two Creatures, the winner in the large art quilt category.

Two Creatures by Judith Roderick

Judith's description from the program says, "This playful quilt was a dance between black silk and over-dyed hand-painted silks, richly embellished.

Here is a closer look at some of the wonderful details.

Two Creatures by Judith Roderick - DetailTwo Creatures by Judith Roderick - DetailTwo Creatures by Judith Roderick - Detail

Judith Roderick also had a special exhibit at the show - here are a few of the quilts found there.

Judith Roderick - Special Exhibit

Although the month is ended, I just might HAVE to share more photos of Judith's work in July after I am moved and settled into my place.

Monday, June 29, 2015

Global Themes

I enjoy quilts inspired by events or global themes.  This is Climate Change by Gail Garber, the first place winner in the large art quilt category at Fiber Arts Fiesta, which took place last month in Albuquerque.

Climate Change by Gail Garber

Climate Change by Gail Garber - Detail
Gail's description of her quilt, from the program, is "Textile expression of sudden changes in our warming world." It was quilted by Kris Vierra.

It's a great example of what's possible with paper foundation piecing.

Kris' quilting is the perfect complement to the quilt design.

Sunday, June 28, 2015

Simply Stunning

It's easy to be wowed by a quilt with a well executed, complicated, difficult technique ... but I also love the surprise of encountering a quilt with a more approachable technique that is stunning and in no way diminished by it's simplicity.

This is Ray of Light, by Victoria Romero-Cederberg, the second place winner in the the innovative pieced and/or appliquéd quilts category at Fiber Arts Fiesta last month in Albuquerque.

Ray of Light by Victoria Romero-Cederberg

This is one of the quilts in the show that were a challenge to photograph because it was blowing in the wind of the big fans that cooled the event space.

I love black & white fabrics ... and what a fun way to use them.

The quilt, Meadows by Lorraine Hollingsworth was in the same category and, for me, another of those simply stunning quilts from the show.

Meadows by Lorraine Hollingsworth

I loved her use of color, fun quilting designs, and that pieced binding.

Meadows by Lorraine Hollingsworth - DetailMeadows by Lorraine Hollingsworth - Detail

At this point, it probably goes without saying, but both quilts were quite large–once again the "small" category for innovative quilts was not consistent with other "small" quilts in other categories.
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